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The motion graphics portfolio of Briaa Nnderson (sic)
Unfortunately a killed concept, but I still love this one. Seven Sunsets... get it?
Small town politics. Big time effects.
Riffing on the idea of ‘open’
2019 Jewish Museum Purim Ball digital invite. The event was honoring the late Leonard Cohen, which is the only clue I’ll give you to figure out what audio clip the Ferris wheel spins. 
And what was everyone opening during the pandemic?
 Video title system for O, Miami’s videos: intros, captions, and ending title sequence.
↔ Click and drag to see all
Some buttons used in O, Miami’s emails. The challenge was to make typographic animations using only letterforms and as few effects as possible.
These were made using only archival footage from the Wolfson Archive, as a nod to the presenting sponsors’ foundation.
An oldie but a goodie. Social promotion for an exhibition titled simply ‘Abstraction.’
*checks notes* 
2016!? Time flies.
Only after moving to Perú did I fully grasp the importance of Eddie Palmieri. Que salsaza!
Titles for a stellar photographer and director’s love letter to New York City during the pandemic. 
Click through for more of Brian Chu’s work.
This is just a teaser for a video wall we animated at the Gehry-designed IAC building in Manhattan. The wall was something like 100m long, floor-to-ceiling.
You’re gonna have to take my word for it, but along with O, Miami, we animated a bunch of Tracy K. Smith’s poems and projected them at the Frost Planetarium. A night to remember for sure.
Click and drag for the full 360° experience.
This one was a doozie. For Hemmerle International’s 125th anniversary party, we projected a 10,000px wide, 66-minute long animation across all walls of the Temple of Dendur gallery at New York’s Met Museum. The video here is 2× speed—it was a truly massive and immersive experience.
A series of logo bumpers for O, Miami meant to allude to the video content and play on the ‘sunrise’ logo.